Tag Archives: celluloid

Deep into Movie and Art Magic: A Portrait of the Artist Beth Moore-Love

By Matt Dukes Jordan

Larry Wessel’s feature-length documentary called LOVE takes viewers into a fascinating and strange realm of the unreal (the hyper-real?) — realm of Beth Moore-Love’s art. Both Moore-Love and Wessel know that there’s something spooky and nasty about American history and culture and they have reflected that in their respective mediums.

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DEVIL’S TEETH by Cecelia Chapman

… big business meets small town in devil’s teeth …

When a brother and sister discover unopened letters hidden in their mother’s house they hire an investigator who already knows who is responsible for the mother’s death.

Devil’s teeth is a nickname for islands offshore San Francisco, the Farrallons, home to great white sharks. But all the rocks on that coastline are weathered and look like teeth. There is much offshore oil drilling planned for the north California coast. So I used the image of devil’s teeth to describe big oil business tactics for acquiring permits, land and small town compliance in their strategy.

You can also watch it here: http://vimeo.com/77926154

Susanne Hafenscher, Matthias Boss, Marcello Magliocchi track Music for a Quiet Night. 

Kristina Barvels, investigator. Ignacio Palma, brother. Alexa Oliva, sister. Anthony, bodyguard.

Cecelia Chapman 2013.

ceceliachapman.com

Blacula, 1972

by Matt Dukes Jordan

Blacula, 1972

Directed by William Crain Starring William Marshall, Gordon Pinsent, Thalmus Rasulala, Vonetta McGee, and Denise Nicholas Blacula was released in 1972 to mixed reviews but ended up as one of the top grossing films that year with over a million dollars in ticket sales. It also launched a subgenre within the blaxploitation genre — the blaxploitation horror film.

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Charlie Sheen, Troll Avenger and Earth Savior, 2027 (An excerpt from a longer work of fiction)

THE FOLLOWING IS FROM THE BOOK CHARLIE SHEEN, TROLL AVENGER, by Matt Dukes Jordan with art by various artists including the author. It will be released as an eBook in June, 2011 (soon). It contains essays on the rise of Trolls, Sheen’s life story, his celebrity, and much more, including a long excerpt from a science-fiction novel about Sheen. Here is a short excerpt.

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Groovy Surrealism in Film, Alternative Films, and the Challenge of Viewer Attention by Matt Dukes Jordan

A LONG PREFACE

The following exploration of surrealism in film and alternative films began with my desire to write about a weirdly appealing film by Alejandro Jodorowsky called Fando y Lis. That film caused a riot when it was first shown at a film festival in Mexico. Jodorwsky claims that he barely escaped the festival alive. The audience was furious. Enraged. VIOLENT!

I love the film. I feel affection for it, and have no desire to attack Jodorowsky.

I LIKE Jodorowsky, who I watched in interviews and other DVD extras. The extras accompanying one film even showed him leading a weekly human-potential seminar/encounter group that he does in Paris. He’s very appealing and charismatic.

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PMM’s Birthday Party! – George Hickenlooper and the Price of Creating Art and the Illusion of Death by Matt Dukes Jordan

Death is a counterpoint to the whole show. But life is for the living so as long as we are here, we might as well live…

Yesterday morning a big yellow butterfly was landing on some yellow flowers on this small tropical island now known Continue reading

Scorsese: Then And Now by Steve Wheeler

It’s a deceptive title, really, because I’m not a film critic nor a fan of any director.


But Martin Scorsese was the one who had the smarts, the interest and the resources to make two concert films 30 years apart, THE LAST WALTZ (1978) and SHINE A LIGHT (2008).
In 1976, the post Vietnam era in the States, Martin Scorsese and Robbie Robertson managed to record on film (the first concert movie shot in 35mm) the farewell concert of the Band in the venue where they first appeared as The Band, the Winterland Ballroom in San Francisco. Robbie Robertson, Levon Helm, Rick Danko, Garth Hudson and Richard Manuel were leaving the road after sixteen years. In an interview Robbie says he couldn’t imagine doing it for twenty years. The Last Waltz was called “the end of an era”.
At the time Scorsese was directing New York, New York, a big expensive production, but he had cut his edting teeth in the Woodstock film and learned what not to do there. He took some time off from the New York, New York project and filmed The Last Waltz in a weekend, put it almost all together in a week and a few months later, filmed three songs on a Hollywood sound stage. It grew from Robbie Robertson’s idea, a not for profit enterprise with no budget to an important cultural event, done by the seat of its pants, almost an afterthought, and ultimately, the concert movie by which all others are judged.
Thirty years later, after Taxi Driver and Raging Bull and Goodfellas and all the awards for No DIRECTION HOME (2005), a documentary on Dylan’s early career, Scorsese filmed a Rolling Stones concert.
Shine A Light presents the best of the Stones’ Beacon Theatre concerts on their A Bigger Bang Tour on Oct 29 and Nov Continue reading

Savage Detours, Film Noir, and the American Nightmare by Matt Dukes Jordan

Detour, 1945, feature film, USA, directed by Edgar Ulmer, starring Ann Savage as Vera, and Tom Neal as Al Roberts

Savage Detours: The Life and Work of Ann Savage, 2009, a biography and filmography by Kent Adamson and Lisa Morton, McFarland, with a Foreword by Guy Maddin

The most fun role for actors is always the bad or twisted character, the weirder the better. Often villains in film are Continue reading

Celluloid -The Story So Far …

Arizona International Film Festival – The Art Of Storytelling

By Matt Dukes Jordan

*Don’t Let Me Drown, 2009, USA

Be Calm and Count to 7, 2008, Iran

Psycho Guru, 2009, USA

The Crimson Mask, 2009, USA*

The cool thing about film festivals is that one can discover hidden, rare, and very innovative films that might not otherwise be widely seen. Along with feature-length films, tons of short films are shown and some are experimental and non-narrative. Unless you search out such films on the internet, you probably won’t see them. It’s good to give them a venue. It’s also good to give indie dramatic features a chance to find an audience and be reviewed… and maybe pick up prizes and distribution. Continue reading